Reply. Add to paints... Old Holland New Masters Acrylic Gel Mediums. It was difficult to scratch into and removing areas cleanly was nearly impossible. Create unique designs by mixing this marbling medium with acrylic craft paint. Colors will dry to a matte finish. Once dry, it feels exactly like a rough handmade or lightly processed, recycled paper pulp, I would not say it gives exactly a manufactured paper feel even once dry. It was incredibly absorbent and felt really easy to wash over. This paste is formulated to have the least possible effect on color change from wet to dry. Great on canvas, ceramic, wood, metal, terra cotta, glass, and more. Use them to prepare painting surfaces, achieve effects such as transparent color glazing, slow paint drying time, and add interesting textures. Extenders, flow enhancers, and pouring mediums are great for creating acrylic pour artwork. Simply spray and re-spray as needed to prevent acrylic paint from skinning over. It was very nice mixed with a transparent colour, producing a rich stained glass feel. Product Title Liquitex Matte Gel Medium, 8 oz. Golden additives such as retarder, open thinner and wetting agent affect how the paint dries, decreasing surface tension, maintaining or slowing drying times. All New Masters gel mediums can be mixed with New Masters Classic Acrylics and other New Masters Mediums. Slow-Dri Gel gives softer edges and great color blends. I like any gessoed panel or canvas board for these projects, because they don’t warp and can take a little abuse. I’m going to Pin this so I can refer to your detailed explanations when I’m searching for the perfect medium. Liquitex 5321 Professional Matte Gel Medium, 8-oz, 8 oz, Clear $16.26. Gloss Gel Medium is, in essence, high viscosity paint without pigment. This may make creating sharp edges difficult. They contain a minimum amount of thickeners, levelers, defoamers and surfactants to ensure good film formation. Golden Open Acrylics Review Having heard quite a bit about how Golden's Open Acrylics did indeed stay workable for ages, making them more comparable to oil paint than normal acrylics, I decided to do a bit of an unfair test. It was easy to scratch into and build structures as long as they were low, you could get flicks of paste to stay and dry stuck out, but not large peaks. It would be interesting to layer over already dried colour, and have it reflect the light on top. Ideal for creating rigid textures and 3D forms, it is fully intermixable with any Liquitex product, readily accepts paint or stains, and can be carved or sanded once dry to achieve your desired shape. Mix it with colors and mediums at up to 15% concentration to increase open time and allow for greater manipulation. Ideal for hot and dry climates, Slo-Dri Gel maintains paint adhesion, durability, and archival quality. Light Molding Paste is very lightweight making it useful for creating a lot of depth on large scale pieces. They dry to a matte finish, will not crack, and may be sculpted once dry. Tar and Leveling Gels It dried almost completely transparent, however, the thicker layers were more opaque so you could see where texture had been built up and marks had been made. Use these acrylic mediums for traditional overpainting and layering techniques, to add texture and structure, and to extend your paints. The glazing liquid was very easy to use and handle. Molding pastes are opaque and are used to build up structures or provide textural effects, useful for topographical landscapes or creating 3-D textures in a work. They alter the handling characteristics, appearance, or volume to produce an infinite variety of effects. Use Gloss Medium and Matte Medium to change the surface and finish of M. Graham Acrylics, or acrylic paints of other manufacturers. Tri-Art Final Finish Mediums are a self-leveling polymer, formulated to unify the luster of a finished painting. All mediums are acrylic-based and can be safely mixed together. Mix it with acrylic colors to create an iridescent luster, or apply the acrylic medium by itself for a silvery iridescent effect. Matte and Gloss Varnish, Extender. DecoArt Pouring Medium is a fluid additive specially formulated to enhance paint flow. They mix easily with Tri-Art colors and mediums, or those from... Tri-Art Re-Harvested Acrylic Mediums are made with the environment in mind. We’re currently working on a chart that shows the different traits of each medium so you can quickly see their flexibility. Golden's GAC Mediums are the raw materials from which other acrylic mediums are created. Tri-Art UVFX UV Reactive Mediums react under black light with glowing brightness, but remain virtually invisible in normal light. Gel types: Soft, Regular, Heavy, Extra Heavy, and Pumice. The pigment strength used in these paints is very similar to the pigment load that is used to make Golden… Gel--use to achieve glazing, texturing, and impasto effects. These Artists' Acrylic Mediums meet the highest standards, and when used to alter paint characteristics such as flow, transparency, gloss, and drying time, allow you to create a virtually endless array of creative effects. Golden GAC 200 is a great product to use when mounting things like canvas to a rigid panel. Create puddles, drips, ribbons, and more with Chroma Atelier Pouring Medium. Plain Gels I especially like the Fibre Paste, but am confused between the key differences in Fibre Paste and Pumice Gel. Dries to a beautiful gloss finish. I was surprised at how smooth you could make the surface. Mix acrylic colors with acrylic mediums in varying proportions at all stages of a work. It dries to a very hard, clear, smooth, and glossy finish without crazing. The fluid acrylics line from Golden are a highly intense and permanent paint with the consistency similar to that of heavy cream. It can also be used for decorative effects. Chroma Atelier Traditional Mediums contain a traditional acrylic binder that tends to dry quickly and forms a tough, water-resistant skin. However, when used neat, it was very easy to control and create strings, loops and other effects. Create professional, jewel-like glazes while increasing transparency, lowering viscosity, and enhancing gloss with Liquitex Acrylic Glazing Medium. Types: Gesso--apply as ground to any surface. Polymer Gloss--apply over painting to prod... Golden Acrylic Gel Mediums offer artists many ways to build texture. 4.6 out of 5 stars (245 Reviews) ... Golden Gel UV Topcoats retain brushstrokes while protecting prints, paper, and other materials from fading. Crack size increases with thicker application. out the effects. Golden Fluid Matte Medium also increases film flexibility, extends colours and increases the fluidity of paint. Used alone or mixed with acrylic colors. Use acrylic mediums to add texture to paint, including crackling, stucco, sand, and glass bead effects. Acrylic paint is one of the most versatile paints, it can be formulated with a vast range of consistencies and qualities and easily adapted with mediums. After an hour, the thinner area had dried, but it was still tacky in the thicker areas. I found the beads clump together and “pick” each other up. Golden-Regular Gel Matte. Truly indispensable for optimizing the qualities of Sennelier Extra-Fine Acrylique Paints, these acrylic fluid mediums create a wide variety of effects and have an adhesive property that adapts well to collage and inlay work. Equally, If you wish to thin your acrylics but keep the intensity of colour, it’s best to start with a thinner paint and add a little fluid medium to extend it further. 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